洛阳桥

简介：　　女主罗茜在与女儿苗苗回家途中遭遇大桥垮塌不幸失去了女儿，罗茜决心寻找机会报复事故的责任人，男主李晨为了查明自己父亲死亡真想应聘了事故方的司机，最终两人在奸商刘坤外逃的路上历经艰辛取得证据并协助警方破案抓凶。

简介：　　Set in Kyiv in the late 1990s, "Forever-Forever" is an unsettling portrait of the young and rebellious as they navigate love, explore their sexuality, and play cruel games with each other, where there is never a winner.
　　After transferring from a downtown high school, Tonia (Alina Cheban) befriends a group of badass youngsters, trying to find protection from the people from her past and a place she truly belongs. They spend time together, roaming around Kyiv's post-socialist suburbs, having fun and getting in trouble. Soon, Tonia falls in love with Zhurik (played by Zachary Shadrin who was the first Ukrainian actor ever submitted for Emmy consideration, for his role in Apple TV series Little America). When she also falls for Sania (Arthur Aliiev), she finds herself tangled up in an alluring secret love triangle. But Tonia's painful past still haunts her, challenging this newfound friendship and romance. Will she be able to find her own pass or lose herself in this new controversial relationship? Set in Kyiv in the late 1990s, this is a story of the young and rebellious amid the ruins of the Soviet regime. Those who had to grow up faster due to the circumstances but got lost in the adult world. A story of which we need constant reminding, as some things only exist at the moment, while others last forever.

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　　讲述26岁的折村花子（松冈茉优 饰），在儿时梦想·电影导演出道前，被卑劣的制片人欺骗而被夺走了企划。处于失意状态的花子，以完全看不懂气氛的男子·馆正夫（窪田正孝 饰）的鼓励为契机，将10年以上音信不通的父亲（佐藤浩市 饰）和两个哥哥（池松壮亮·若叶龙也 饰）卷入其中，开始反击不讲理的社会。

简介：富豪之子隐瞒身份，凭自己的努力考入公司。在爱上意中人以后，为博美人芳心，假装意外中彩成为千万富翁。而当他的骗局被揭穿，当他变回大家心中的穷光蛋之后，他的生活被彻底打乱，意中人也离他而去。后来虽然他亿万富翁之子的身份被暴露，意中人也没有将他原谅。最终，虽然父亲的破产让他失去了万贯家财，却得到了世间最珍贵的爱情。

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　　故事讲述小男孩Bastian Bux迷上了一本名叫《永不结束的故事》的书，故事将Bastian Bux深深吸引到书本里，甚至让他幻想自己就是其中最重要的角色。而书中描述的幻想国逐渐被“空无”吞噬，女王因为重病无法抵抗“空无”，于是幻想国派出勇者Atreyu寻找拯救女王的药，Bastian Bux就在Atreyu的追寻中体验幻想国的每个地方、认识每个人物，随着Atreyu的欢喜与挫折起伏……
　　幻想国之所以被“空无”吞噬，是因为她是由人类的幻想所创造出来的国度，当人类不再幻想，并忘记那些幻想时，幻想国当然就什么也不剩了。Bastian Bux最后发现幻想国中的人并没有办法拯救他们自己，只有人类才能拯救幻想国，他必须靠着丰沛的想像力，重现幻想国的生机……

简介：纪录性艺术片。影片讲述本溪合金厂白手起家群策群力克服困难成功冶炼出各种合金的故事，歌颂在社会主义建设中，工人们发扬主人翁的精神，不畏艰难，勇往直前的革命精神。

简介：这部影片在2011年的柏林电影节上荣获阿尔弗雷德·鲍尔奖（Alfred-Bauer-Preis）。故事讲述的是德国二战后的历史传奇人物——纳粹诗人之子伯恩瓦特·维斯珀（Bernward Vesper）与其女友古德伦·恩斯林（Gudrun Ensslin）一段轰轰烈烈的无名婚姻，以及其极富悲剧色彩的爱情。这部改编自真实故事的电影主要描述古德伦·恩斯林与伯恩瓦特·维斯珀两人热恋时研读文学、创立出版社、热论政治并生育孩子……原本如同一般中产阶级的单纯人生，却随着反越战的浪潮以及各种压迫的激升，加上受到伴侣不贞的事实所激化，使女主角古德伦·恩斯林最后选择放弃了家庭，并在结束与伯恩瓦特·维斯珀的爱情后，投身早期的“赤军旅”(RAF)，积极献身左翼反对运动、冀望改变世界。该片英文片名《If Not Us, Who?》即摘自他们（引用《圣经》注释家学者所说的话）当时的垂世名言“If not us, who? If not now, when?”（若非我等，更待何人？若非此刻，更待何时？）电影透过女性追寻自我的角度，精彩描述了这位举世闻名的“赤军旅”女将古德伦·恩斯林与过往大不相同的形象，并对德国60年代历史有一番崭新的诠释，荣获了本届柏林影展“创新精神奖”。该片导演安德雷斯·费耶尔在广受好评的媒体试映后说：“拍这部电影是为了回答许多未解的疑问，你必须从头检视，得从一个人的家庭背景开始，看出他最后是如何献身政治的”，并认为“现今世界上仍有许多问题，从气候变迁到下一波金融危机……而古训‘舍我其谁’依旧发人省思。我们得积极地面对这些问题，因此这也是一部关于当代的电影。”国际媒体纷纷对于影片评价甚高，路透社认为该片“对德国历史有崭新诠释”；而法新社也报导了该片在柏林影展上所造成的轰动，并盛赞其聚焦在纳粹于战后社会冲突的犀利度，超越了所有过往类似题材的电影。这部影片是导演安德雷斯·费耶尔的首部剧情长片，他因成长于战后年代，适逢德国企图摆脱大屠杀以及二战、逐步迈向繁荣的时代背景，对于当代历史诠释令人耳目一新。他在接受好莱坞报导访问时，也提及了人物的悲剧性：“这些人希望名留青史，却参与了那个时代不需要的革命。虽然他们依旧留名，却是在错误的地方、以及错误的时代。

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　　一群劫匪计划好了打劫瓦伦西亚一家银行。他们打算抢走尽可能多的保险箱，然后通过与废弃地下铁线路相连的隧道逃之夭夭。尽管事情表面上看起来如此，但是西班牙首相的新闻发言人发现了蹊跷：这群劫匪真正的目标其实是一个特定的保险箱——314号盒子，盒子里面装的是正处在昏迷状态的前政府官员Gonzalo Soriano留下的文件，涉及到政府的惊天秘密。然而劫匪们的计划出了意想不到的差错，隧道由于暴雨而被淹没，他们无处可逃。与此同时，尽管这次抢劫是按照当权政府的某些部门下达的指示而行事，银行的保安人员们并没有接到指示要放他们逃走……

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　　Bill Saunders, disturbed ex-soldier, kills a man in a postwar London pub brawl. Fleeing, he hides out in the apartment of lonely nurse Jane Wharton. Later, despite misgivings about his violent nature, Jane becomes involved with Bill, who resolves to reform. She gets him a job driving a medical supplies truck. But racketeer Harry Carter, who witnessed the killing, wants to use Bill's talents for crime.

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简介：　　Anamika, whose mother is Indian and father is English, returns to care for her mother who is suffering from dementia. But the mother-daughter relationship is not an easy one. When her mother was younger she was a promising singer, but a series of unexpected situations, including a move to the United Kingdom, an unplanned pregnancy, and raising a daughter alone, have made her emotional and stubborn. White-skinned Anamika used to lie about being adopted, and the wounds she received from her mother after her father died when she was ten have become a trauma. The time left for them to shake off the long shadows and reconcile with each other is too short. As her mother’s illness worsens, Anamika must prepare herself for medical and legal issues as well as her career and what lies ahead. With a meticulously crafted script this film shows the change in their relationship through dialogue.