試當真以8個月時間紀錄一位過去只靠「天才波」的文憑試考生滕毅康，備戰公開試到放榜的心路歷程，在許賢串連各個補習名師加以催谷的情況下，可否在開考前4個月，成功追趕中四至中六未曾搏盡的進度，繼而順利考入大學？同時，曾是末代高考生的許賢以半工讀身份報考文憑試，從實戰中了解現今考生面對的困難及香港教育制度問題，亦透過考試解開埋藏於內心十年的公開試鬱結。
《東京愛情動作故事》講述香港A0毒男周國斌遠赴東京，於AV店遇上黑衣人並賦予他十項不同的超能力，只需要找到施予超能力對象的一條陰毛便可解鎖。每集阿斌於不同地方巧合地遇上不同女優，憑藉尋找陰毛解鎖超能力，發生不同趣事，而阿斌亦開始更了解每個女優背後的經歷，譜出十段東京愛情動作故事。
The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination. Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that). Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.
