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The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination. Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that). Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.
因为儿子何家宝（黄浩然 饰）在一场意外车祸中致人死亡，肩负着整个家庭压力的何球（郑则仕 饰）不得不重新回到了出租车司机的岗位上。何家宝出狱后成为了父亲的搭档，没想到，又一场车祸让父子两人刚刚建立起的亲情和信任毁于一旦，并且，何球在车祸中身受重伤，追悔莫及的何家宝陷入了自责的情绪中无法自拔。 之后，何家宝成为了一个遵纪守法的好司机，可是，名叫高丽芯（徐子珊 饰）的女交警却常常抓住各种机会找他的碴，一来二去之中，两人之间产生了真挚又纯洁的爱情。可是，就在这个节骨眼上，何家宝的前女友张晓雯（郭羡妮 饰）插足到了何家宝和高丽芯的恋情之中，同时，高丽芯的祖母高淑贞（李香琴 饰）亦对高丽芯的恋情采取了强烈反对的态度，在重重的困难之间，一对有情人能否终成眷属呢？
该剧以搞笑组合相席スタート的山崎ケイ原著改编，原著的名字正是《刚刚好的丑女指南》，讲述的是女性正确认知自己，与美女相比，长相普通的女性反而有诸多便利等等。
