T-34坦克,是第二次世界大战前由苏联哈尔科夫共产国际工厂设计师米哈伊尔·伊里奇·科什金设计的中型坦克。本片是两辆原型坦克从哈尔科夫,自走到莫斯科参审的传奇经历……
由于受不了严谨的校纪校规,女孩伊莎贝尔(凯特·哈德森 Kate Hudson 饰)毅然离开了电影学院,过上了她所渴望的自由生活。伊莎贝尔的姐姐罗茜妮(娜奥米·沃茨 Naomi Watts 饰)定居于法国巴黎,身怀六甲的她惨遭画家丈夫查尔斯(梅尔维尔·珀波 Melvil Poupaud 饰)的背叛,愤怒的罗茜妮决定离婚,她给伊莎贝尔写了一封信,希望自己的妹妹能够来到自己身边,支持和陪伴她度过这一段艰难时期。 一次偶然中,伊莎贝尔结识了名叫埃德加(蒂埃里·莱尔米特 Thierry Lhermitte 饰)的法国外交官,尽管埃德加已经是一个七十岁高龄的老人了,但伊莎贝尔依旧拜倒在了他的慷慨大方和风度翩翩之中。尽管伊莎贝尔和埃德加之间的恋情并不被他人所看好,但伊莎贝尔依然坚持着自己的想法和信念,直到某一日,她发现,埃德加竟然是自己的亲戚。
霍阿满与女友薛丽在一次郊游中不慎摔下 崖,使年轻、聪明、灵活甚至狡黠的阿满 在特定的时间范围里思维和心态变成六岁 孩子,对自己是个记者,说过不少假话而 羞愧万分。 阿满不做调查研究,把一个早已倒闭两年 的乡镇企业,写成“一颗明星闪闪亮”的新闻 报道,引来了四方参观团、检查团、拉赞 助团体在黄家镇的云集,给地方政府造成 了极坏后果。 影片无情地鞭苔了报社钟主任、黄镇长等 人顾及面子知错不改的错误思想,歌颂了 以市委刘书记为首、幼儿教师及几个年轻 实习记者坚持事实,敢讲真话的优秀品 质,积极倡导了我党一贯坚持的事实求是 的工作作风。 同时,影片假借阿满对做六岁儿童那天的 怀念,表达了人们在现实生活中渴望拥有 真诚、善良、美好、纯洁的愿望,具有强 烈的现实教育意义。
37岁的拉菲(乌玛•瑟曼 饰)不久前离异了,伤心难过的她向心理医生丽莎(梅丽尔•斯特里普 饰)倾诉心事。一次偶遇,她认识了23岁的小伙子达夫(布莱恩•加连保格 饰),他迅速爱上了拉菲。由于年龄上的差异,使拉菲心存顾忌。此间,拉菲常常与心理医生丽莎提及男友的事,丽莎给了她很多鼓励与支持,才让拉菲决定与达夫开展新恋情。 丽莎也遇到了儿子给予的难题,儿子爱上了一个比自己年长的女人,更没想到的是她的儿子——达夫爱上的是自己的病人拉菲……
Siskel and Ebert once ran a special show entitled "Movies I'm Embarrassed to Admit I Liked." I suppose that if I composed such a list of guilty pleasures, this one would be one of them . . . but upon reflection, it's really a lot better than that. Fifteen year-old science prodigy Mitch (Gabe Jarret) is recruited by ambitious college professor William Atherton (in yet another of his patented roles as a loathsome character) to work on the professor's prize laser project, not knowing that the prof is really developing a government weapon. Along the way, Mitch is befriended by Chris (Val Kilmer), another prodigy a few years his senior who teaches the Mitch how to loosen up. This could have degenerated into nothing more than just another teen revenge comedy, but there's so much more: the dialogue is laced with sharp wit there are some lovely scenes that have nothing to do with the story yet are carefully set up, almost as blackouts (e.g., Mitch goes to a lecture at which a few students have left tape recorders instead of attending later, at another lecture there are more tape recorders than students and, in a final scene, one large tape recorder gives the lecture to a room populated by nothing but other small recorders!) and throw-away scenes that make you want to stop and back up the tape (e.g., Chris off-handedly cutting a slice off a bar of solid nitrogen to make a slug for the coffee machine). It's also one of the few movies to boast the presence of the memorable Michelle Meyerink -- as Jordan, the "girl-nerd" who made being smart and female something to be emulated. And there's Tears for Fears great song, "Everybody Wants to Rule the World" providing the perfect coda as the closing credits begin to roll . . . . Yes: really now, what's there to be embarrassed about?