毛泽东主席逝世后的记录影像。
The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination. Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that). Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.
姉・縁の替え玉として才原高嶺(高杉真宙)とお見合いをすることになった野々村花(竹内愛紗)。 そこにやってきたのは予想外にイケメンな高嶺。しかし、高嶺の横柄な態度や罵詈雑言に花は怒りを抑えきれず、啖呵を切ってその場を立ち去ってしまう。 破談と思われたお見合いだったが、外見やステイタスに左右されない花に高嶺は興味を持つ。一方花は、高慢な高嶺を屈服させようと、奇しくもお見合いは継続することに。 罵り合いながらもお互いを想い気遣いあう純粋な愛が垣間見れる、ちょっと不器用なツンデレラブコメディ。
前园小春(岛崎遥香 饰)是独自在大都市奋斗的独立女性,因为总是在情场上受伤,交往过的男性都是已婚人士,感到疲惫不堪的小春决定回到阔别已久的老家。谁知道在这个节骨眼上,小春经营咖啡店的父亲病倒了,咖啡店即将因为资金链断裂而面临倒闭的结局。 无论如何都想要保护父亲珍爱的咖啡店的小春,决定接受一位名叫龙之介(稻叶友 饰)的神秘男子所提供的帮助,但有一个前提,那就是小春必须要成为他的妻子。荒唐的是,龙之介已经娶了两个妻子了,因为小春的老家实行了一夫多妻的婚姻制度,这也就意味着,小春必须和另外的两个女人共处一室。
国民航空的公会会长恩地元和其身为副会长的好友行天四郎,为了改善极度恶劣的劳工环境,与公司高层产生了激烈的矛盾冲突。恩地永远将飞行安全放在第一位,时而采取莽撞的行动,因此被公司高层疏远,甚至被远派海外。另一方面,奉行现实主义的行天与恩地诀别,进入了公司高层,为了创造自己理想中的公司而步步高升。 终于,轻视飞行安全的国民航空公司发生了一起史无前例的大型客机坠毁惨剧。回到日本的恩地成为事故遗属负责人,真诚积极地去面对这些亲人生命被无情剥夺的遗属们的悲伤情绪。期间,日本政府为了重建国民航空,将关西纺织的国见调任过去,担任要职。国见担任会长后,提拔了恩地担任会长室部长,并让其彻查组织内部的违法行为。恩地对一度令自己失望透顶的公司重燃信心,四处奔走。而挡在他面前的人,则是爬上常务之位的行天……