红鹰 第五季

　　江誉镠（林韦辰 饰）是年仅十七岁就考入了香港大学法律系的天才少年，一次偶然中，他邂逅了名为莉莉（童爱玲 饰）的女子。美丽温柔的莉莉一下子就击中了江誉镠内心里最柔软的那一部分，为了追求莉莉，江誉镠不惜放弃了学业，只身一人来到了莉莉所居住的上海。
　　虽然江誉镠对莉莉百依百顺体贴入微，但是莉莉对江誉镠只有感动并无爱情，就在两人决定举办婚礼的节骨眼上，莉莉幡然悔悟，悔婚了。之后，莉莉的前未婚夫宋子豪（林祖辉 饰）亦再度回到了莉莉身边对其展开追求，最终，江誉镠落得了人财两空的下场，灰头土脸的回到了家乡。经由大老倌薛觉先（梁汉威 饰）的推荐，薛觉先进入了梨园开始了剧本创作。

　　The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination.
　　Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that).
　　Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.

　　オレ様的な性格が災いして、花形社会部から文化部将棋担当に異動させられた新聞記者・秋葉(玉木宏)は、おまけに恋人・恵子（比嘉愛未）に結婚を迫るが断られる。踏んだり蹴ったりの秋葉が出会ったのは、プロ棋士（四段以上を指す）を目指す真田(上地雄輔)、33歳。26歳までに四段になれず年齢制限に阻まれてプロ棋士になれなかった真田は、特例である三段リーグへの編入試験を受けようとしていたのだ。秋葉は、家賃滞納でアパートを追い出された真田に泣き落とされ、自分のマンションに同居させることになってしまう。「たかがボードゲーム」と将棋をばかにしていた秋葉だが、真田の師匠・千田（近藤正臣）と知り合うことで将棋にのめりこみ、 真田の33歳からプロ棋士を目指すという無謀な挑戦を後押しするようになっていく。それは社会部記者として挫折した自分にとってのリターンマッチでもあった。がそこに少年時代真田に将棋を教えたという借金取立人で元将棋の真剣師・林（石橋蓮司）が現われ・・・

　　Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an MP. Here, he attempts to table a law aimed at upholding the rights of what in Quebec are known as caregivers, and shows us in passing how a law whose need seems patently obvious is put together, debated, voted on and . . . dies on the battleground of French politics. A stirring documentary about social injustice that somehow manages to make us bust a gut laughing as we rage with indignation. And also cry at the beauty of it all, thanks to the director’s humanist sensibility and a deft play between reality and fiction.