舞魅天下第十季

　　Arts, History Documentary hosted by Ana Marie Valentir, published by WDR in 2017 - English narration

通过巧妙融合单口喜剧和脱口秀的表演模式，哥伦比亚女演员兼喜剧演员亚莉姗卓·阿斯卡拉特反思了年龄、爱情和性等话题，逗得观众开怀大笑。

　　World's Most Extreme takes you to the most jaw-dropping and extreme places anywhere in the world.

　　Nicholas Crane rediscovers the 'lost' masterpiece Britannia on an epic 5000 mile hike battling the elements in search of Elizabethan Britain.

　　London cabbie Mason McQueen takes on the challenge to drive a taxi in three very different cities around the world.

　　The women who married Henry VIII have become defined
　　not by the way they lived but by the way their lives ended.
　　They are seen as victims of a bloated tyrant, deserving pity, but not
　　respect. However, have we under-estimated them and are historians right to
　　have merely portrayed them as bit-part players in Henry's story?
　　Using dramatic reconstruction and passionate narration,
　　eminent historian and presenter Dr David Starkey focuses
　　on the stories of the women themselves, revealing in
　　intimate detail their experiences of sex, childbirth and the glamorous,
　　dangerous life at court, including the deadly intrigues that dethroned
　　them.

　　In this three-part series Alastair Sooke (Treasures Of Ancient Rome, Pride and Prejudice: Having A Ball) explores the riches and unique legacy of Greek art. Episode One tells the story of Greek art from its surprising, often mysterious origins, travelling from Crete to Santorini, Mycenae to Delphi. Episode Two explores the astonishing development of classical art - the so called 'Greek revolution', asking how did the ancient Greeks get so good, so fast? The final instalment looks in detail at a handful of works that have achieved the status of masterpieces, tracing the complex and fascinating story of western civilisation’s love affair with Greek art, from the Romans to modern times.

在一系列喜剧特辑的尾声，戴夫站上舞台，企图澄清一下事实，再说几句不吐不快的话。

　　有一部关于图坦卡蒙的纪录片.讲述传奇一生以及千古谜团的最新探究

　　幸存者：卡拉延 第二十八季节目的戏剧冲突性主要通过两种方式得以实现的，一是人与自然环境的冲突；一是人与人的冲突。这两种冲突不是凭空产生的，而是人为设置的，是建立在游戏规则的强迫性和巨额金钱诱惑性的前提基础之上的。
　　为强化人与自然环境的冲突，节目将播出的地点选在荒无人烟的小岛上，在这里没有丰美的水果，更不允许幸存者们自带食物，他们只能像当年鲁宾逊那样自己砍柴、生火、搭房、造筏，过着吃昆虫老鼠、被虫咬、受蛇蝎惊吓的生活。为了生存，参加者不得不用尽各种招数，人与自然的对立达到了高潮。由生存危机带来的冲突为节目的刺激奠定了基础。但更刺激的还是体现在人与人之间的对立上。