虎·破——《八佰》制作纪录全面地向大家揭秘了电影《八佰》的幕后拍摄故事。本片采取电影中四行仓库保卫战四昼夜的时间模式，将内容分成了“四天”，从制作、光影、演员、影片主旨四个方面，讲述导演管虎、主创和演员们是如何突破重重困难，完成了这样一部国产商业巨制。
The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination. Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that). Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.
Somewhere on the internet is a land where communities pretend to live out a survivalist fiction. The avatars of the directors of Knit’s Island spent 963 hours there, creating a fascinating film resulting from their encounter with these communities. The “players” reveal their fears and fantasies, in an at times unsettling blurring of the real and the virtual.
在必要时不惜说谎的女子和顽固地守卫真相的男子之间如谎言一般的真实爱情故事。
富家公子敦南（素格力·威塞哥 Sukrit Wisetkaew 饰）和门当户对的女友奴莎拉准备携手步入婚姻的殿堂，然而就在这个节骨眼上，奴莎拉却在一场意外之中不幸身亡。悲伤的敦南将所有的过错都怪在了这场意外的另一个受害者小敏（平查雅·平梦安 Perachaya PinMuengngam 饰）的身上，无论小敏怎样道歉，敦南都不愿意原谅她。 机缘巧合之下，小敏成为了敦南手下杂志社的模特，更背负起了照顾敦南奶奶的职责。对小敏怀恨在心的敦南三番五次的为难小敏，给她使绊子，但善良的小敏选择了忍耐。小敏将工作完成的十分出色，让敦南挑不出毛病，在此过程中，敦南发现自己竟然渐渐爱上了小敏。
