聚集了法国单口喜剧界顶尖的喜剧演员，将幽默短剧和妙语连珠的单口喜剧现场结合在一起，带领我们探索疫情期间的生活。
Inspired by a true story, ‘Oversteer’ follows the journey of Wind, a young man whose passion for cars leads him to fall out with his family, leading to a world he’s unprepared for. As he navigates financial struggles and personal challenges, Wind finds support from unexpected sources. The film explores themes of perseverance, friendship, and the pursuit of one's dreams, offering a heartfelt and inspiring narrative in a car racing world.
文慧（罗美薇）与友明头（刘玉翠）欲成为歌星，可惜文慧因家庭问题被迫到夜总会工作，因与黑帮头目B哥发生争执，惹祸上身，幸得车房仔阿忠（张家辉）及May姐（蓝洁瑛）、健哥（成奎安）相助脱离险境。阿忠对文慧情有独钟，但文慧一心仰慕新进男歌星Peter（吴大维）。另一方面，明头却对义薄云天的忠产生好感，一对女友的感情生活顿起波澜……
缉毒官员Newlyweds Miguel "Mike" Vargas(查尔登·海斯顿 Charlton Heston 饰）和他的妻子Susie（珍妮特·利 Janet Leigh 饰）来到了美国和墨西哥的边界。马路上发生了一起汽车爆炸事件，Vargas认为这起案件跟毒贩子有关，遂和当地的警察们一起展开了调查。Hank Quinlan（奥逊·威尔斯 Orson Welles 饰）是警察队长，在当地名声甚响。当地警方把嫌疑集中在一个叫Sanchez的人身上，Vargas却在Sanchez的家中发现了证明他不是犯人的证据。然而Quinlan执意认为Sanchez就是犯人。Vargas研究了以前Quinlan办过的案件，对这个赫赫有名的警察队长产生了不少疑问。而Vargas的妻子Susie在旅馆里却被一帮人所绑架并陷害，Vargas怀疑这一切的背后都是Quinlan在操纵。Vargas在和Quinlan的对抗中会有怎样的结局？ 本片由执导了《公民凯恩》的奥逊·威尔斯自编自导自演，共有三个版本：1958年发行的版本，1976年的加长版，1998年发现的可能更符合威尔斯想法的版本。
Siskel and Ebert once ran a special show entitled "Movies I'm Embarrassed to Admit I Liked." I suppose that if I composed such a list of guilty pleasures, this one would be one of them . . . but upon reflection, it's really a lot better than that. Fifteen year-old science prodigy Mitch (Gabe Jarret) is recruited by ambitious college professor William Atherton (in yet another of his patented roles as a loathsome character) to work on the professor's prize laser project, not knowing that the prof is really developing a government weapon. Along the way, Mitch is befriended by Chris (Val Kilmer), another prodigy a few years his senior who teaches the Mitch how to loosen up. This could have degenerated into nothing more than just another teen revenge comedy, but there's so much more: the dialogue is laced with sharp wit there are some lovely scenes that have nothing to do with the story yet are carefully set up, almost as blackouts (e.g., Mitch goes to a lecture at which a few students have left tape recorders instead of attending later, at another lecture there are more tape recorders than students and, in a final scene, one large tape recorder gives the lecture to a room populated by nothing but other small recorders!) and throw-away scenes that make you want to stop and back up the tape (e.g., Chris off-handedly cutting a slice off a bar of solid nitrogen to make a slug for the coffee machine). It's also one of the few movies to boast the presence of the memorable Michelle Meyerink -- as Jordan, the "girl-nerd" who made being smart and female something to be emulated. And there's Tears for Fears great song, "Everybody Wants to Rule the World" providing the perfect coda as the closing credits begin to roll . . . . Yes: really now, what's there to be embarrassed about?
