Mike meijubar.net Biggs是一个体型稍显肥胖却心地善良的芝加哥警员，于一次偶然的机会在肥胖人士匿名交友会结识了同样体型丰满的小学老师Molly Flynn。二人从相识、相恋一路走来，和家人、朋友之间发生了无数令人捧腹的囧事。然而每一次啼笑皆非的状况背后，却总是氤氲着暖暖的温情。正如Mike的搭档Carl McMillan所说，他们之所以拥有稍显庞大的身躯，是为了能够装得下他们宽广的心。在第一季末，Mike终于克服了自己的承诺恐惧症，在与Molly交往七个月后，将那枚在他们相识后两周就买下的订婚戒指交给了她。二人的婚后生活又会碰撞出怎样的火花了。

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主演：涂黎曼,刘钧,焦体仪,肖辉,苗强,赵晋

简介：赵宜宽怀抱实业救国之梦想，从英国回到济南，白手起家，于乱世风雨中建造起一个属于他的商业王国——大观园，他把毕生的心血投注到大观园中，大观园也融入了他一生的爱恨情仇。剧中父子间、兄弟间、朋友间、情侣间种种真挚的感情和惊心动魄的商场搏杀，生动地重现了大观园从最初的一片荒地演变为闻名华东的综合性商场的传奇经历，再现了过去那个年代济南的商场文化以及人文精神，刻画出凡俗生活里一个个血肉丰满的人物形象。该剧以史实为经，以赵、陆两家三代悲欢离合、恩怨情仇为纬。

552

2005

大观园

主演：涂黎曼,刘钧,焦体仪,肖辉,苗强,赵晋

简介：二皇子云上洲野心勃勃，趁父皇病危软禁太子意图篡位，但最大的阻碍便是镇守边关的小皇叔逍遥王云天宸；为了拔掉这颗眼中钉，利用太子幕僚墨衡假传圣旨引逍遥王进京，同时又借高悬司之手意图除掉逍遥王。大战中逍遥王被打入悬崖，幸好遇上在采药的鬼医仓久得以续命。然而高悬司以为完成皇命，却被扣上谋害逍遥王的罪名，遭到全司被灭，仅有洛明月一人逃脱。洛明月通过暗线得知真相，又遇到被更换容貌的逍遥王，二人决定冰释前嫌共同掀翻幕后黑手，过程中二人产生情愫，同时也展开了一场交织的爱恨情仇。

主演：戚玉武,张耀栋,沈琳宸,黄暄婷,许瑞奇,容启航,刘怡伶,谢静仪,李巧儿,林昭婷,黄晶玲,李函穆,许欣琳,林明伦,黄嫊芳

简介：　　神秘老板为了某种目的，要组一个女团“Dada Dream”，将任务交给助理朱芷欣（沈琳宸饰），而指定合作的音乐人是芷欣的初恋情人方文斌（戚玉武饰）。经过选拔，8位有潜力的女生包括老板指定人选李思彤（刘怡伶饰），以及文斌说话结巴的女儿方静晨（黄暄婷饰）。在8人经历训练和淘汰的过程中，朱芷欣的儿子朱勇杰（许瑞奇饰）也在追求音乐梦想的当中发现母亲不为人知的过往。

1570

2021

大大的梦想

主演：戚玉武,张耀栋,沈琳宸,黄暄婷,许瑞奇,容启航,刘怡伶,谢静仪,李巧儿,林昭婷,黄晶玲,李函穆,许欣琳,林明伦,黄嫊芳

　　The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination.
　　Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that).
　　Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.