《非常执法》根据2001年美国知名的罪案小说家Elmore Leonard撰写的小说《Fire In The Hole》改编，讲述美国联邦执法官Raylan Givens使用传统方法来解决现代案件的故事。Raylan是个西部牛仔味很浓的警察，永远戴着一顶斯泰森毡帽，穿着一双牛仔靴，屁股上的牛皮枪套里插着一支备用手枪。不到万不得已的时候，他不会使用手枪——因为一旦他拔出枪来，对手就必须流血而亡。他认为这就是手枪的作用：要么不用，要用就一击必杀。Raylan在肯塔基州东部的乡村里出生，在小镇Harlan上长大。在那里，他度过了自己的青涩年代——打球、追女孩子、挖煤，这曾经是他生活的全部。19岁那年，他下决心要当一个联邦警察，于是毅然离开家乡。几年以后，他如愿以偿。正当他准备大展宏图之际，却因在迈阿密一家旅馆射杀持枪匪徒的意外事件遭致上级不满。作为对他的惩罚，上级将他调回他发誓再也不回去的家乡——肯塔基。　　Nick Searcy在剧中扮演肯塔基州来克星敦市联邦警察局副警长Art Mullen；Jacob Pitts扮演Raylan的同事Tim Gutterson；Erica Tazel扮演Raylan的同事Rachel Brooks。追踪逃犯、保护证人、运送囚犯是他们的基本工作。回到家乡肯塔基的Raylan不得不面对那些他并不想见的人：曾经的好友、挖煤伙伴Boyd Crowder，现在成了抢银行的通缉犯，念高中时暗恋过的啦啦队长Ava Crowder，还有他的前妻Winona。然而Raylan最不愿意见到的是他那位职业惯犯父亲Arlo。

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简介：Netflix和艾娃·德约列(《有色眼镜》《塞尔玛》)将推出一部关于美式橄榄球员、前NFL明星四分卫科林·卡佩尼克的限定剧《黑白科林》(Colin in Black & White)。卡佩尼克曾在赛前奏美国国歌时单膝下跪抗议警察暴力和对黑人等“有色人种”的压迫，引发广泛讨论和争议，他因此从2016年起被NFL球队放弃。该剧将聚焦他的青少年时期和早期橄榄球、篮球和棒球的成功，着重探讨这个被白人家庭收养的年轻人的处境和所受影响，什么造成了他的社会和文化意识。由卡佩尼克本人担任旁白。

简介：该剧讲述了和影星李英爱的表面有着180度不一样的－李英爱小姐，其家庭、爱情和职场上所发生的故事。

　　The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination.
　　Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that).
　　Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.