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Inspired by a true story, ‘Oversteer’ follows the journey of Wind, a young man whose passion for cars leads him to fall out with his family, leading to a world he’s unprepared for. As he navigates financial struggles and personal challenges, Wind finds support from unexpected sources. The film explores themes of perseverance, friendship, and the pursuit of one's dreams, offering a heartfelt and inspiring narrative in a car racing world.

　　康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。
　　Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。
　　The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.
　　Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.

　　José Mojica Marins是巴西最著名的CULT恐怖片电影大师，这是其第一部长片作品，也是其著名的Ze do Caixao系列的第一集，开创了巴西低成本独立电影的新局面。

　　伍迪·艾伦自导自编自演作品，藉由一场派对，呈现出人们善变的情绪，以及复杂性事的轻喜剧。

　　一伙年轻盗贼(西恩威廉史考特等)举办了一场疯狂的摇头派对掩人耳目，他们计划暗中窃入隔壁的银行盗取现款……由于音波互相干扰，警铃声响将被抵销……
　　班被债主迫得走投无路，决定与几名友人爆窃银行。他们开了场疯狂的摇头派对掩人耳目，然后溜进隔壁的银行偷窃，利用音波互相干扰来抵销警铃声响。怎料波折重重，这群笨贼屡次失手，国际刑警突然出现，死对头又走来搞破坏……

　　一批精英團隊被指派去保護一個危險的毒梟，他們藏匿在一家豪華酒店內等待毒品萃取製作。不過他們很快發現他們所藏身的飯店正是毒梟的過往夥伴打算發動爆炸襲擊的目標中心，他們必須要竭盡所能阻止恐怖攻擊的發生…