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　　The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination.
　　Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that).
　　Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.

7812

2013

千阳

简介：《铁杉树丛》根据布莱恩麦克格瑞卫（Brian McGreevy）同名名恐怖小说改编，主要黑暗的奇事、青春期的欺骗和贪婪的关系为背景，探讨了怪物的本性。故事背景设定在破旧的宾夕法尼亚州的一个钢铁小镇，一名年轻的女孩被发现死在了一所原来是炼钢厂的地方。当地人怀疑凶手是Roman，Olivia的儿子。法米克和斯卡斯加德便饰演这对母子。

简介：在澳大利亚内陆的冒险经历过去一年后，Elliot和Helen一起去往了爱尔兰。因车祸导致严重失忆的Elliot决定是时候重新了解自己的出身了，来自他过往生活的危险旋风却将两人卷入其中。当Elliot与自己的恶魔战斗时，Helen需要揭开更大的谜团，这一切迫使他们去直面那些新老敌人。

主演：林志颖,赵子靓,郭品超,陈彦妃,洪小铃,郑恺,雷佳音

简介：到底是什么样的原因造成了剩男剩女这一社会现象？他们又是如何在社会和家庭的重重压力下突出重围？是什么样的状况造成了一个又一个相亲故事？该剧能让所有的人在其中找到共鸣！

8910

2010

单身公主相亲记

主演：林志颖,赵子靓,郭品超,陈彦妃,洪小铃,郑恺,雷佳音

　　Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an MP. Here, he attempts to table a law aimed at upholding the rights of what in Quebec are known as caregivers, and shows us in passing how a law whose need seems patently obvious is put together, debated, voted on and . . . dies on the battleground of French politics. A stirring documentary about social injustice that somehow manages to make us bust a gut laughing as we rage with indignation. And also cry at the beauty of it all, thanks to the director’s humanist sensibility and a deft play between reality and fiction.