徐乾（孔刘 饰）和徐荷娜（成宥利 饰）是情同手足的兄妹，两人之间感情十分要好。一场意外的车祸夺走了兄妹两人的父母，徐乾和徐荷娜就此分别，徐乾来到了澳洲，靠着偷抢拐骗维持生计，徐荷娜则被有钱人收养，成为了养尊处优的千金小姐。 尽管生活衣食无忧，但徐荷娜的生活却并不幸福，她无时不刻不在思念着徐乾，与此同时，新家庭里怪异紧张的气氛让她十分没有安全感。徐荷娜决定离开这个家庭，她来到了海洋馆，并在这里找到了一份工作。姜东河（南宫民 饰）是海洋馆的馆长，他被徐荷娜的坚强和善良所吸引，很快就坠入了爱河。与此同时，徐乾意外得知了妹妹的消息，他毅然决定回国，不仅为了再续他和徐荷娜之间的兄妹情缘，更因为他有一件十分重要的事情需要徐荷娜的帮助。
以宋末国亡家破时代为背景，讲述了文天祥被元兵俘掳，追随他多年的的义士王青，潜入牢中，腹藏祥之血书，逃至清心寺。青临终时，将血书交予独子磊，并嘱其联络各方义士，驱除异族，还我河山。
The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination. Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that). Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.
经理重新回归到焦头烂额的办公室生活。小乔回台湾探亲尚未回，和经理联系也不多。经理接到小乔的电话要其结婚，便兴奋赶往台湾成亲，在与槟榔西施、台湾黑帮各色人等打过交道后，经理终于来到小乔家见父母，究竟经理与小乔能否顺利结婚……
