大东集团财务部部长藤浩,在举行婚礼前夕被警方拘审。集团595万元巨款被人利用转帐支票提走，掌管财务印章的藤浩涉嫌监守自盗。警察贾超西却将目标锁定青年企业家史哲明和藤浩挚友庄海身上，就在展开调查之时，史哲明被烧死在汽车里，涉嫌杀人的庄海携诈骗的巨款失踪。五年后，正当藤浩和史哲明的女朋友舒小凡开始相爱时，一个海外归来的文化人齐明宣闯入了舒小凡的生活，他不加掩饰地追求舒小凡，他的言行举止总让舒小凡似曾相识。就在藤浩发现蛛丝马迹之时，他又掉进了齐明宣精心设计的圈套，因杀人罪判处死刑。

522

357

报错

爱奇艺
bilibili

排序

猜你喜欢

换一换

简介：Netflix和艾娃·德约列(《有色眼镜》《塞尔玛》)将推出一部关于美式橄榄球员、前NFL明星四分卫科林·卡佩尼克的限定剧《黑白科林》(Colin in Black & White)。卡佩尼克曾在赛前奏美国国歌时单膝下跪抗议警察暴力和对黑人等“有色人种”的压迫，引发广泛讨论和争议，他因此从2016年起被NFL球队放弃。该剧将聚焦他的青少年时期和早期橄榄球、篮球和棒球的成功，着重探讨这个被白人家庭收养的年轻人的处境和所受影响，什么造成了他的社会和文化意识。由卡佩尼克本人担任旁白。

主演：方力申,陈滢,陈山聪,刘佩玥,朱晨丽,陈晓华,蒋家旻,张国荣,何依婷,唐诗咏,孙慧雪,林盛斌,李成昌,杨卓娜,丁子朗,徐文浩,李绍坚,董敬文,吴家乐,杜燕歌,张韦怡,刘展霆,刘桂芳,张驰豪,马俊杰,王灏儿

简介：2003年4月1日傍晚时份，应届会考生唐家宝得悉巨星张国荣跳楼自杀的恶耗，身为忠实歌迷的宝带着鲜花前往悼念偶像。宝遇上暗恋对象区家明，也开启了彼此的对话，无奈被好友唐昕、李静儿和林小美打断。那个晚上，对宝而言是百味杂陈，最崇拜的偶像骤然离世、暗恋已久的男生与她说了第一句话，宝开始明白世事人情可能就是如此难以预计

简介：未来，技术将能够让每个孩子的生活更轻松。看看当童年的好奇心导致Circuit Breakers混乱时会发生什么...

简介：《yif魔幻》第二季延续第一季的富有真实感的纪录式制作、清新动人的制作风格和令人啧啧称叹的魔幻艺术。在此基础上，丰富了内容和主题上的多样性，尝试邀请社会名流参与拍摄，并突破了仅在台湾地区拍摄的局限，走向了祖国各地，记录下了更多样的人群，更多变的景色，两岸跨界合作，深入文化之美。第二季在内容上也不断激发创意，以实现人们心中的愿望为题，打破幻想，YIF的魔幻艺术让一切成真。而其风格，更是第一季的加强升级版，不断强化其清新自然而富有深意的影像风格，创造奇迹，展现正能量。

主演：潘虹,魏巍,何赛飞,李沁,高洋,刘智扬,王华英,方子春,赵毅维,王茜华

简介：　　该剧围绕爷爷奶奶外公外婆和爸爸妈妈对孩子的争夺展开。

2976

2013

保卫孙子

主演：潘虹,魏巍,何赛飞,李沁,高洋,刘智扬,王华英,方子春,赵毅维,王茜华

　　The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination.
　　Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that).
　　Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.