《超感神探》讲述了受雇于加州调查局（California Bureau of Investigation，CBI）的独立顾问帕特里克·简( Patrick Jane ) 的故事。他利用出色的观察技巧（如读心术），成功侦破多宗大案。简在过去曾经常使用所谓的心灵感应，假装拥有通灵能力的灵媒，成功地冒充通灵媒介并享有近乎名人的地位。在一次电视节目中，他声称自己通过超自然能力协助警方调查连环杀手“血手约翰”（Red John）。约翰被他的轻视激怒，为了报复杀害了简的妻子和他年幼的女儿。在自责之下，简放弃作为骗人的灵媒，与CBI合作成为了警方顾问，用他的技能帮助警方解决各种犯罪问题。

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主演：艾丹·碧丝朵,雷恩·威尔森,萨拉·乔克

简介：《Backstrom》根据一位瑞典小说家兼犯罪学专家的小说改编，剧名来自小说中主人公的名字：Evert Backstrom。据称原著中的故事取材于现实生活中的「犯罪大师」。原著在斯堪的纳维亚半岛颇受欢迎——尽管北欧人口稀少，但这本书的销量竟高达600万册，不能不说是个奇迹。该剧由《识骨寻踪》（Bones）的创作人、制片人Hart Hanson负责打造，主人公Evert Backstrom（Rainn Wilson）被称作「侦探版豪斯医生」，一个性格暴躁、有自毁倾向的胖子。他试图改变自己的行为，但总是半途而废。他想说什么就说什么，从来不遮遮掩掩——令人惊奇的是，他的直觉往往是对的。他酗酒、嗜烟，还酷爱垃圾食品，医生警告他必须改变不健康的生活习惯，否则迟早会得大病。

6651

2015

丧心病探

主演：艾丹·碧丝朵,雷恩·威尔森,萨拉·乔克

主演：清野菜名,濑户康史,见上爱,一之濑飒,前原滉,中村友理,佐藤浩市,酒井大成,三浦獠太,谷恭辅,莲佛美沙子,堀内敬子,远山俊也,梶裕贵

简介：　　本剧以消防局的通信指令中心为舞台，描绘了站在用一部电话维系生命的“最前线”的指令调度员们的“现实”。指令调度员们应对紧急通报，发出适当的救护车、消防车出动指令。他们是拥有各种技能的消防、急救专家集团，运用通信技能和医疗知识，为了挽救濒临危机的“生命”，每天倾听“声音”，用“声音”拯救“生命”。

2005

2025

119紧急呼叫

主演：清野菜名,濑户康史,见上爱,一之濑飒,前原滉,中村友理,佐藤浩市,酒井大成,三浦獠太,谷恭辅,莲佛美沙子,堀内敬子,远山俊也,梶裕贵

　　The film accompanies Magaye Niyang, a star of Touki-Bouki, a 1972 classic directed by her own uncle Djibril Diop. Following this path, we are witness of Niyang travel to a special screening of the film, which has a public release in his old town. Niyang seems detached and with a heavy longing from the past, and therefore, the film debris permeates everything with unescapable sorrow and fascination.
　　Diop film is, first and foremost, a nostalgic travel through memory, time and recreation. It is also a watermark in contemporary experimental documentary, a very intimate portrait of a lost long journey through the past that isn’t returning anymore, a detachment of rejected fame, recognition and connection which is heavily grounded on a legacy that belongs to the past, and that connects directly to a country (Senegal) and its heritage, which is sometimes feel excruciating for the old ones (a testimony such as the taxi scene in the film, where the cab driver longs for changes, and claims that the old generation had done nothing for that).
　　Mille Soleils (A Thousand Suns) and, in itself, Mati Diop’s crucial talent, should be a point of reference into what could easily be one of the most interesting proposals of hybrid documentary cinema which has come from France, and which deals with a strong African heritage. Since 35 Rhums, where she proved her actress talent, Diop seems like a true promise for the following years of cinema.